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Digital Sound Design Videos.

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Digital Sound Design Videos.

Postby NhonTran » February 8th, 2013, 6:35 pm

Đây là những video của khóa Digital Sound Design, kiến thức căn bản cần phải biết để mix nhạc.

Coi để biết thêm về microphone, những loại noise khi thu, sự khác biệt giửa REVERB và ECHO, GRAPHICS EQUALIZER và PARAMETRICS EQUALIZER, DYNAMICS PROCESSING có tác dụng gì, v.v.

Coi để biết tại sao phải dùng dạng wav khi mix, tác dụng của effect để điều chỉnh thông số, áp dụng đúng, những ảnh hưởng liên quan đến noise khi thu.
Example: Hát quá gần, quá to sẽ làm hư Condenser Microphone. Đèn neon tạo noise khi thu vocal. Công tắc đèn, bật hay tắt lúc thu sẽ tạo tiếng click,v.v.

Video Series copyright nên NT sẽ post trước 3 video, 1 về 6 điểm quan trọng về âm thanh, 2 về Microphone. Nếu có yêu cầu, NT sẽ lần lượt post tiếp những video có liên quan đến mixing (theo thứ tự).


6 Properties of Sound:


Microphone Part 1:


Microphone Part 2:

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Re: Digital Sound Design Videos.

Postby DaMinhChau » February 11th, 2013, 12:16 pm

MC không thẻ xem hay nghe trực tiếp qua các links SP post, Nhưng MC đã dl vè máy đưuợc rùi. MC cám ơn SP, MC sẽ ngâm kíu, nhưng chắc phải thời gian vì bi chừ MC khá bận rộn rùi... Năm mới an lành và như ý SP. :thank2: :give_rose:
IM LẶNG VÀ MĨM CƯỜI
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Re: Digital Sound Design Videos.

Postby xlarge » February 12th, 2013, 10:03 am

Video Series copyright nên NT sẽ post trước 3 video

MC không thẻ xem hay nghe trực tiếp qua các links SP post, Nhưng MC đã dl vè máy đưuợc rùi


Mấy video này có copyright và mình cũng cần phải có thời gian từ từ để nghiên cứu và học hỏi .XL có một ý kiến huynh NT chỉ cần post link để download ,XL mới coi thử thấy cách giải thích rất dễ hiểu .
Và chúc tất cả sau khoá học này phòng karaoke sẽ có rất nhiều bài hát hay doubleup

Đây là phần bổ túc cho video
Course Syllabus
Week 1: The Nature of Sound

Sound
Sound Waves
Six Perceptual Attributes of Auditory Events
Pitch, Loudness and Intensity, Timbre, Perceived Duration, Spatial Location, Reverberant Environment
Representing Sound in Electrical and Digital Domains, Digital Filters
Music perception and meaning
Music and Cognition, Motion and Sensation, Music and Emotion
Music, Language, Syntax
Music and the Environment
The Soundscape, Animal Sounds

Week 2: Music Technology I

Recording
Microphones, Digital File Formats, Sampling
Analysis
Spectral and Fourier Analysis, Analysis-Resynthesis
Processing
Ring and Amplitude Modulation, Mixing and Delays, Filters and Distortion
Time Stretching, Pitch Shifting, AutoTune, Spatialization

Week 3: Music Technology II

Synthesis
Sound Synthesis
Wavetable, Frequency Modulation, Granular Synthesis
Physical Modeling

Week 4: Music Technology III

Interaction and Networks
Laptop Ensembles, Mobile Music, Music Information Retrieval
Composition
Roles for Computers in Composition, Algorithmic Composition
Sonification, Data-Driven Composition
Sound and Film
Sound and Image, Sound and Narrative

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Re: Digital Sound Design Videos.

Postby NhonTran » February 15th, 2013, 3:01 pm

:thank2: XL, NT sẽ post link trên Box. Lớp nầy NT thấy chỉ có videos của week 2 là có ích lợi để hiểu thêm về mixing thôi, nên không có lấy videos của mấy tuần kia. NT không nghĩ là lớp nầy có tới 43K người ghi tên học.

2 tuần nữa, NT lấy lớp "Intro to Music Production" và sẽ share lên đây. Hy vọng các bạn hưởng ứng, bình luận để chúng ta cùng học hỏi.


About the Course
With the recent introduction of high-quality-low-cost software and hardware, the tools of music production are now available to the masses. Albums are made in bedrooms as well as studios. On the surface this is liberating. Anyone can make an album for the low cost of a couple pieces of gear and a software package. But, if you dig deeper, you will find that it is not so easy. Producing music requires knowledge, dedication, and creativity.

Knowledge is where this course comes in. No matter what kind of music you are making, there is a large set of tools that you will need to use. Each lesson of this course will demonstrate a different set of music production tools, loosely following along the music production process of recording, editing, and mixing.

We will start with some background on the nature of sound and how we perceive it. We will then examine the components necessary to record audio into a computer, so that you understand the devices that sound must travel through in a music production process.

Once recorded, sound must be organized along a timeline, a process known as editing. It allows us to give the impression of perfect performances and create many of the sounds we hear in contemporary music. The contemporary editing tool is the Digital Audio Workstation (DAW), a piece of software that stores and organizes all the assets of a musical project. We will focus on the editing tools that are essential in contemporary music production and that all DAWs provide.

After editing, sounds must be combined or mixed together, so we look to the mixing board—a very creative place if you know how to use it. We will explore the basic functionality of both hardware and software mixing boards, including volume, pan, mute, solo, busses, inserts, sends, and submixes. The mixing process, however, includes more tools than the mixing board provides on its own. Sound must also be processed, modified from its recorded state to fit the context of the music. We will look at compression, equalization, and delay, and examine the many audio effects that are offshoots of these devices and how they are used in a musical context.

We will then explore the synthesizer, a major tool within the production of contemporary music. Yes, great music can and will be created without the synthesizer, but learning how a synthesizer works will give you a language to describe sound. Music is a collaborative art form, so there is nothing more powerful than effective communication.

In the end, the music production process relies on your creativity. Creativity is a product of the mind and will stay there, unexpressed, until the right tools are used in the right way to share it with the world. If you have an idea in your head, it will take numerous steps, each with an important tool, to reach your audience. You bring the dedication and creativity, and this course will bring you the knowledge to make that happen.


Lớp dưới đây, tiếc là không miễn phí để NT lấy bài và chia sẽ lên đây. Khóa nầy dài 4 tuần, để lấy 3 credits và tuition = $1,400.00.
NT cũng biết và thường nói đến mình cần phải tập nghe để mix khá hơn, nhưng không nghĩ là phải trả nhiều tiền như vậy để học online. biggrin


Critical Listening 1

Author: Dan Thompson
OVERVIEW
SYLLABUS
REQUIREMENTS
PREVIEW

No matter how good a song is or how accomplished the musicians playing it are, the wrong mix can leave an otherwise beautifully crafted song sounding unprofessional and unpolished. Critical Listening provides recording musicians and aspiring producers and engineers with a better sense of the mixing process, and develops the ability to hear and identify the key features of a well balanced, artful and professional-sounding mix.

Through weekly training drills, analysis of classic recordings, and comparative studies of different styles of mixing, you'll learn to identify width and depth, frequency range, dynamics and the different mix approaches used in various musical genres. You'll learn to hear and identify techniques such as panning, alternate types and uses of reverb, delay, compression, phasing/flanging/chorus, and different types of distortion. The course also explores various types of instruments and arrangements, distinguishing between Telecasters, Strats, and Les Paul guitars, single versus dual coil pickups, direct versus miked acoustic and electric guitars, tremolo versus vibrato, Rhodes versus Wurlitzer electric pianos, and more. The course will also take you through the steps to turn your listening space into a more critical listening environment. Whether you are a recording musician looking to ready your music for CD, or an aspiring producer or engineer, you'll not only learn what elements are most important in a mix, what sort of arrangements you should be working towards, and how to optimize your mix to make your song as compelling as possible; in the process, you'll open your ears up to a whole new level of music listening and awareness.

By the end of this course, you will:

hear width and depth, frequency range, dynamics and the different mix approaches used in various musical genres.
identify techniques such as panning, alternate types and uses of reverb, delay, compression, phasing/flanging/chorus, and different types of distortion, distinguish between different instruments, pickups, miked versus direct acoustic and electric guitars, and what mixing approach might be most appropriate for your music.
optimize your listening setup into a more critical listening environment.

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Re: Digital Sound Design Videos.

Postby NhonTran » February 15th, 2013, 4:54 pm

Introduction video:

Intro To Music Production



Link để sign up (start 1st of March, duration: 6 weeks), rất hữu ích cho ai tự mix nhạc.
It takes time to mix a song, why not do it the right and good way?

https://www.coursera.org/course/musicproduction
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